New book – available as of 6-14-24 at amazon.com
The famous Kopprasch etudes for horn (ca. 1830) are, like almost all etude collections, for horn alone. As useful as they are in developing technique,
Starting with simple scale fragments, Agrell shows the way to break this artificial way of thinking about music making with an innovative approach to the
The horn (AKA the French horn) is a captivating concatenation of curving copper that is renowned for being perhaps the most beautiful of musical instruments
Why don t classical musicians improvise? Why do jazz players get to have all the fun? And how do improvisers develop such fabulous technique and
